ACC’s stop work order on Heavy Load politically motivated, alleges Reeko Moosa

The Anti-Corruption Commission (ACC) has ordered Thilafushi Corporation Limited (TCL) to halt the dredging of Thilafushi lagoon, because of issues that “could lead” to corruption in its contract with Heavy Load Maldives.

ACC Commissioner Hassan Luthfee told newspaper Haveeru that details of an investigation into TCL’s selection of Heavy Load for the 130 hectare dredging project would be released tomorrow.

Heavy Load was awarded the US$21 million project on September 30 last year, and inaugurated the project on February 4.

The Environmental Protection Agency (EPA) also expressed concern over the project, which it claimed had “started work” prior to being issued an Environmental Impact Assessment (EIA).

The EPA’s Director of Environmental Protection and Research, Ibrahim Naeem, confirmed to Minivan News that a license was granted to Heavy Load on Feburary 10, while work started on the Feburary 4th.

He could not clarify if this meant the company had begun actually dredging prior to being issued the license.

“Dredging has a large impact on the environment, which is why licenses are issued to ensure mitigation measures are in place,” he explained.

Heavy Load is a family business interest of ‘Reeko’ Moosa Manik, the ruling Maldivian Democratic Party (MDP)’s parliamentary group leader.

Speaking from Colombo, Moosa told Minivan News that Heavy Load had spent 2-3 months mobilising resources for the project. The February 4 inugration attended by President Mohamed Nasheed was symbolic, and did not necessarily mean the company had started dredging work, he said.

As for the ACC’s allegations it was, he said, “not a coincidence” that the announcement had been made a day after allegations broke in the Indian press that People’s Alliance (PA) leader Abdulla Yameen – also former President Maumoon Abdul Gayoom’s half-brother – sold blackmarket oil to the Burmese miliary junta.

“There is a part of the ACC that is not free and fair,” Moosa said, alleging that the commission was subject to misuse for political purposes.

“PA’s Deputy Leader [Ahmed] Nazim is very close with one of the commission members, [Abdulla] Hilmy, which needs closer investigation,” Moosa said.

“I am a strong part of this government and I think this is a political trick. I haven’t even been into the Heavy Load office in one and a half months because of my campaigning [in the local council elections]. It is run by my family, my children.

“I had shipping company in 1981 when [former President] Maumoon Abdul Gayoom and his brother-in-law took me to prison and destroyed my business and my life. I spent four years in prison and they have not answered for this,” Moosa contended, questioning why the ACC was not investigating audit reports concerning prominent ministers in the former administration.

Moosa further claimed that Heavy Load had already deployed dredger for the work and was unlikely to halt on the ACC’s orders – “they have to go to the court and provide evidence of corruption,” he said.

In late January the ACC ordered a halt on another government contract, between the Department of Immigration and Malaysian mobile security firm Nexbis, claiming that there were instances where corruption may have occurred.

Facing political pressure ahead of the local council elections, President Mohamed Nasheed upheld the ACC’s request that the roll-out of the technology be postponed.

Nexbis responded that it would be taking legal action against parties in the Maldives, claiming that speculation over corruption was “politically motivated” in nature and had “wrought irreparable damage to Nexbis’ reputation and brand name.”

Moosa told Minivan News that it was unlikely the Heavy Load project would be similarly held: “We are not a foreign company,” he said.

The dredging is part of TCL’s development of a new port catering to 15,000 ton cargo ships and container terminal, on 3.8 million square foot of land. The project is partly intended to free up land currently occupied by the port in Male’, one of the most densely populated cities in the world at over 100,000 people per square kilometre.
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Shareef claims DRP factions using “intimidation” in attempt to take party leadership

Ibrahim ‘Mavota’ Shareef, currently at the centre of an internal Dhivehi Rayyithunge Party (DRP) investigation over whether audio recordings of his voice seemingly attacking former president and leader Maumoon Abdul Gayoom are genuine, believes factions within his party are trying to “stifle freedom of expression” in a bid to seize leadership.

Shareef, himself a deputy leader within the DRP, said he had no idea whether the party was undertaking an investigation into the legitimacy of his voice recordings, adding that he “didn’t care”. However, the deputy leader alleged that he was concerned that the dispute was being used to try and take party leadership of the DRP from incumbent Ahmed Thasmeen Ali.

“Doctored or not, I have not said anything in the manner [of the recording],” Shareef said. “If there is something that I want to say I will speak my mind, but people are trying to make a mountain out of nothing.”

However, claims that the recording was doctored in such a manner as to try and unseat the existing DRP leadership have been denied by some of its members, who believe the recordings are both authentic and against documented party policy.

The dispute last week saw crowds gathered outside DRP headquarters calling for the resignation of Thasmeen and Shareef in response to the broadcast of the allegedly doctored audio clip expressing a preference for the Maldivian Democratic Party (MDP) over former president Gayoom.

Shareef told Minivan News that he believed the audio clip was being used by factions of certain supporters within the party to “intimidate” and attack the current party leadership to further their own personal aspirations.

“It is sad that the very people who are claiming that party leaders [such as dismissed former Deputy Leader Umar Naseer] can only be fired from the DRP by its congress are calling for different rules now,” he said. “It is sad that they are trying to intimidate and stifle freedom of expression in the party.”

In regards to his own future, Shareef said he believed that he would remain in his role with the DRP despite the furore over the audio clip and that “justice will  be done” in terms of maintaining democratic rule within the party.

He alleged that factional disputes had formed within the DRP due to some individuals “concerned solely with their own interests” instead of trying to improve the nation.

“There are some in the [DRP] who believe it is not a party of the people,” he said.

However, fellow DRP member and MP Ahmed Nihan denied that the audio recordings were being used as part of factional disputes between Thasmeen and other members, alleging the issue was linked to the articles of association concerning public and private comments about fellow party politicians.

“Since day one we are a democratic party, so this issue is not about factions,” he said. “We do not allow our party members to make claims that attack any other member.”

Despite respecting Shareef, Nihan alleged that the DRP deputy leader had a “track record” of making similar claims to those allegedly spoken in the audio recording.

“I believe that it is Shareef’s voice and was made over the last few days,” he claimed. “I do not have any doubt that he will make similar statements in the future.”

Despite calling for a public apology from Shareef towards Gayoom – a request said to be backed by a petition signed by thousands of DRP supporters and “well wishers” of the former president – Nihan said that he hoped a compromise could be found that could see a stronger DRP emerge from present disputes.

“For the benefit of the party we want to find a common solution,” he said. “But when [former Deputy Leader] Umar Naseer was dismissed by a party disciplinary committee, action was taking against him very quickly and without an investigation.”

Reports of factions within the DRP have circulated since Naseer’s departure last December, leading to violent confrontations at an official party meeting held the same month that required police intervention after the dismissed deputy leader attempted to gain entry to the event.

The disturbance was linked to a growing war of words between Thasmeen and Naseer, with the latter still choosing to campaign with the DRP ahead of this month’s local council elections alongside Gayoom.

Yameen allegations

Outside of reported factional disputes within the DRP, Shareef said that allegations first surfacing this month in India-based publication The Week claiming former President Gayoom’s half brother Abdulla Yameen was involved in an international money laundering racket had no impact on the party or its operations.

Yameen, who is himself leader of the People’s Alliance (PA) party, has rubbished the allegations, which implicated him as “the kingpin” of a scheme to buy subsidised oil through the State Trading Organisation (STO) before selling it through shipping fraud at a premium rate to the Burmese military junta.

Whether proven or not, Shareef said that as far as the DRP was concerned, the case would have no impact on its operations and that the party encouraged its members to work within the country’s laws and regulations.

“If there is suspicion of anyone regarding corruption or theft of state assets then it must be investigated,” he said. “We are a party that is working for the benefit of the people.”

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Mubarak’s fall sparks regional discontent

Ripples from the fall of Egyptian President Hosni Mubarak and Tunsian President Zine al-Abidine Ben Ali have spread to other countries in the region, including Jordan and Algeria.

Mubarak, who was in power for 30 years, finally gave in after weeks of protests and stepped down from the presidency, handing power to an interim military government on Friday.

The revolution has not only affected him politically. On Friday, Swiss authorities announced they were freezing assets belonging to Mubarak and his family, pressuring the UK to do the same. Mubarak is thought to have a personal fortune of US$70 billion stashed across various bank accounts and property holdings all over the world.

That the people of one of the Middle East’s largest, oldest and most populated countries could not only overthrow but seek justice against a 30 year autocracy has sparked a wave of political dissent in the region.

Prior to Mubarak’s departure, several thousand demonstrators clashed with police in Algiers after President Abdelaziz Bouteflika ordered a ban on protests. 400 were arrested, and then later released, while five people have been reported killed in the protests since they started in January.

Yesterday, the Algerian government shut down the internet and deployed 30,000 riot police – paralleling Mubarak’s early reaction to the protests in Egypt.

Syrian president Bashar al-Assad did the opposite, unblocking access to the social media websites Facebook, Twitter, Myspace and Youtube in an effort to mellow rising discontent, as well as offering US$400 million in fuel subsidies to the poor. Libyian President Muammar Abu Minyar al-Gaddafi has earnestly launched a house-building scheme.

In Iraq, Prime Minister Nouri al-Maliki as announced he will not stand for a third term and is reportedly to be desperately trying to combat the city’s electricity outages with the installation of three giant generators.

King Abdullah of Jordan sacked the country’s government late last month in a bid to head off a repeat of the Egyptian uprising, announcing a deal with the political opposition sanctioning political and economic reform.

The UK’s Guardian newspaper reported one senior western official as saying “there has been an awakening of political awareness among the young who have been waiting for solutions that have never come and are not really in the menu now. They are saying: ‘Why should we carry on like this?’”

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Maldives to host country’s first international games in September

The Maldives’ much lauded sands and waters will host the country’s first ever international sports event this year, with the launch of an inaugural beach games event expected to run from 18 September to 25 September.

According to event organisers, the Maldives Beach Games 2011 will to bring hundreds of athletes from around the world to the country in order to compete in 10 sporting disciplines involving the sun, sand and surf of the Maldives.

The games were launched on Thursday night with a laser show and an appearance from renowned Sri Lankan cricketer Sanath Jayasuriya at Male’s Kulhivaru Ekuveni Indoor Hall.

Speaking during the launch, Jayasuriya said he had been caught “off guard” when asked to give a speech upon arriving in Male’ earlier in the day, but having himself visited the Maldives a number of times, the cricketer said he believed the games would be a major opportunity to show off the country’s hospitality to the world.

“I’ve been to [the Maldives] before, quite a few times, and I know how you look after people and guests,” he said. “About 375 to 400 athletes will be here in Male’ competing at eight different locations and I hope [they] all will enjoy their stay and the games in 2011.”

The opening ceremony, which was held around a shipwreck set designed to emulate the Maldivian legend of the “Prince Koimala”, who was said to have first led the country after becoming shipwrecked, concluded with a light show that announced the events contested during the games as well as its slogan – “beat the beach”.

A wealth of events including triathlon, kabaddi, beach cricket, football and ‘volleyball’ along with body building, swimming, rowing, surfing and wind surfing will be contested during the games at eight different locations around the country yet to be identified.

In the lead up to the event, tourism authorities will seek to build active interest in the games among visitors.

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Elections Commission recounting 15 constituencies

The Elections Commission is recounting the ballots for 15 constituences after opening the boxes yesterday in the presence of journalists and concerned candidates. The EC on Thursday began a clarification count of the ballots from Sri Lanka.

Areas being checked include: Dhaandhoo council, Kibindhoo constituency, Mundoo council, Villi-Maafannu constituency, Kaafu atoll Maafushi council, Laamu atoll Gan council, Gemanafushi constituency, Dhaandhoo constituency, Hebandhoo council, Naifaru council, Maaungoodhoo council, Thulusdhoo constituency, Maamingili constituency, Hulhu-Meedhoo constituency, Mid-Henveiru constituency

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Music: a front line of Dhivehi culture

Hundreds of young Maldivians descended on Sultans Park on Friday night for the launch of a music album by a young local artist.

Sitting in the dark shade of the trees at night, they cheered loudly as two young ladies strummed guitars to a soft melodic tune.

Music has been closely entwined with cultures around the world, from beyond the mists of time. Soaring orchestras and gentle flutes have enamoured mankind with their ability to convey, wordlessly, their deepest thoughts and most powerful emotions. So majestic is their beauty that, in many cultures, instruments like the lyre, the sitar and the harp have been associated with the divine, the heavenly.

The ancient traditions of song and dance in Dhivehi Raajje have evolved to a point where geographically disparate islands have formed their own subtly distinct styles that allow a keen ear to differentiate between, for instance, the Giraavaru tribe and their neighbouring islanders.

The accelerating beats of bodu beru drums have moved generations of Dhivehin to ecstasy and euphoria as they climaxed in a thrilling crescendo.

As it happens, the centuries old traditions that seem to be infused in the very genes of Maldivians are now facing a new kind of threat – a battle between cultural expression and religious dogmatism that has recently arrived on the Maldivian shores.

In March 2008, a gathering assembled at the Dharubaaruge Conference Centre, organised by Jamiyyathul Salaf, a religiously conservative NGO.

The backdrop on the stage had an image of a burning musical note crossed out with flames.

During the gathering, presumably held in opposition to the government’s support for cultural activities like song and dance, they released a video with 22 local lslamic clerics ruling that song and music were ‘haraam’, or forbidden in Islam.

The gathering was broken up by police, citing concerns over religious radicalisation.

Today, the first cleric to condemn music in that video montage, Adhaalath Party leader Dr Abdul Majeed Abdul Bari, is the country’s cabinet Minister of Islamic Affairs.

Among other clerics in the same video were two members of the Supreme Council of Islamic Affairs, staff members of the Centre for the Holy Qur’an, one member of the Human Rights Commission, and also a member of the MDP religious council.

Immanuel Kant, the 18th century German philosopher, suggested that one’s ability to appreciate beauty was closely tied with one’s ability to make moral judgments.

Grand symphonies of Mozart, Schubert and Bach have endured for centuries on the strength of their sheer brilliance, and the daunting complexity and elegance of their compositions that could evoke romance, passions and dark sorrows in mute observers.

However, during another sermon organised by Jamiyyathul-Salaf in 2010, titled ‘Sex, Drugs and Rock ‘N’ Roll’, preacher Abdur-Raheem Green called the attention of his audience to the music playing from the nearby Carnival stage, and alleged that the musicians playing at the venue were people with empty lives.

In his sermon, he equated music with hedonism and “worship of materialistic culture… the Qur’an of the shaithaan.”

When the Maldivian death metal band Nothnegal returned from a successful tour of Europe, what awaited them in the report of their story were several hostile comments that insisted music was forbidden in Islam, and the group’s activities were akin to ‘devil-worship’.

While the Maldivian music scene hasn’t quite come to a head-on collision with religious dogmatists the way it has in some other Islamic countries, there are some notable incidents where they have crossed paths.

Ali Rameez, arguably the biggest pop-star in the Maldives at the time, famously quit music in a very public manner, reportedly making a symbolic renunciation by dumping a large quantity of his CDs into the sea.

The lead singer of the popular music band Trio, that had recently represented the Maldives at International music events, quit music at the height of the band’s popularity and announced on his Facebook page that his decision was driven by religious considerations, as he was given to understand that music was forbidden to Muslims.

The cultural differences and the attitudes of talented musicians towards their religious duties are a fascinating study in contrast.

The famous Ghazal and Qawwali musical traditions of the subcontinent have a long and rich legacy of talented Muslim artistes, including internationally acclaimed Pakistani singer Nusrat Fateh Ali Khan.

AR Rahman, the double Oscar and Grammy winning Indian musician is also known to be a very devout Muslim.

There appears to be no clear consensus on what is considered acceptable music and what is not.

The late Sheikh Ibn Baz, former grand mufti of Saudi Arabia, rejected all forms of popular music as ‘haram’, except during weddings where it was restricted to women folk.

While many conservative scholars make exemptions for devotional songs accompanied only by the beats of a daf (a frame drum resembling a tambourine), others consider even devotional music to be taboo.

Renowned Lebanese Islamic scholar Sheikh Ibrahim Ramadan Al-Mardini rejects such religious restrictions on music, saying no such prohibition existed in the Qur’an.

He also argues that the hadith often used to justify it were “very weak”.

Opposition religious leader, Dr Afrasheem Ali, said on national television in 2008 that the Prophet himself had sung. Former President Gayoom, also a religious scholar, asserted in a speech that singing and dancing were not incompatible with Islam.

Indeed, even the definition of the term ‘singing’ appears to be equally nebulous.

The stirring qualities of rhythm, melody and tenor have been used to great effect by famous qaris like Abdul Basit Abdul Samad – who became internationally known for his spell-binding recitations of that Qur’an that inspires many imitators.

Even after ‘renouncing music’, former pop-star Ali Rameez has sung several devotional songs, many of them quite popular.

So did Rock-star Cat Stevens, who embraced Islam at the peak of his career and gave up music. Upon conversion, he took on the name Yusuf Islam, and auctioned away all his guitars.

Elsewhere, Salman Ahmad, the lead singer of iconic Pakistani rock band Junoon and arguably the greatest rock star to emerge from the Muslim world, is appealing to youth in his terrorism-plagued country to take up the guitar and reject extremism.

Cat Stevens, aka Yusuf Islam, eventually returned to music. On the eve of his album’s re-release, he explained that he had stopped performing due to his misunderstanding of the Islamic faith.

“This issue of music in Islam is not as cut-and-dried as I was led to believe … I relied on hearsay, that was perhaps my mistake”, Yusuf said.

Salman Ahmad, too, pointed out that the verses of celebrated Sufi poet Rumi “promoted harmony, tolerance, peace, self-discovery, simplicity… really, the antithesis of the religious extremists protesting on the street.”

Arguing that both rock musicians and extremists had a common target – the youth, he has vowed to undertake a new kind of ‘jihad’, one that combats what he considers the destructive power of extremism and “murderous thugs masquerading as holy men” by providing the outlet of music.

Indeed, young rock bands in the Maldives have chosen to vent their angst against political violence with powerful thrash music. Judging by the crowds that throng their shows, the message has been received well.

Gentle plucks on guitar strings have in the past summoned millions of anti-war activists, raised millions in charity, and defined entire cultural eras.

Countries everywhere use the strength of music to put together stirring verses set to triumphal tunes played by military brass bands – a shared national anthem, to signify a shared nationhood.

Maldivian bands like Zero Degree Atoll have revived cultural identities by skilfully infusing the sounds of waves and conch shells along with modern guitar riffs and bodu beru percussion, accompanying, of course, their evocative Maldivian poetry.

If the music that mingled with the Maldivian sea breeze for centuries is to survive, one would do well to heed the advice of the young man on the stage at the Sultan Park last night, who exhorted his artist and musician colleagues to defy those who discourage and object to music, and remain steadfastly committed to creating wonderful new melodies; words that would clearly be music to our ancestors’ ears.

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